| 文献番号 | 01_SC001876 |
|---|---|
| 著者名 | 加茂瑞穂／カモ ミズホ |
| 書名・論文名 | 友禅協会「伊達模様」の募集とその周辺 : 明治後期・京都における流行創出との関わり |
| 掲載誌名 | デザイン理論 77 |
| 出版者 | |
| 発行年月日 | 2021 (1) |
| ページ | |
| 掲載ページ | pp.69-83 |
| シリーズ名 | |
| OWC | AB |
| 地域・民族名 | 日本 |
| 特定地域名 | 京都 |
| 時代区分 | 20世紀前半 |
| 時代通称名 | 明治後期 |
| キーワード | 友禅協会；伊達模様；元禄模様；千總；三越；図案募集 |
| 抄録 | The Yuzen Kyokai was an association of Yuzen dyeing businesses that invited zuan or design submissions between 1892 and 1911. Individuals applied by drawing ideas based on a given theme, and outstanding zuan were awarded prizes or prize money. In the Meiji 20s (1887-1896), the importance of zuan became widely recognised. Following Takashimaya and similar stores, the Yuzen Kyokai association inaugurated a competition to seek zuan at an early stage. A good example was the zuan contest held in 1905, themed 'Date-moyo designs for autumn', for which the majority of applications incorporated large motifs that had been popular in the early- to mid-Edo Period. Not coincidentally, Mitsukoshi simultaneously started selling 'Genroku-moyo' designs reminiscent of the same period and particularly fashionable that year. Previous research has shown how Mitsukoshi made 'Genroku-moyo' designs fashionable; however, they present Mitsukoshi's perspective, describing how a department store became a trend setter for the first time, in a watershed moment for department store management. Alternatively, this study focuses on the production of dyed and woven fabrics in Kyoto and discusses the city's role at the heart of a zuan creating region. Further, it clarifies how zuan were produced in Kyoto through submissions to competitions initiated by the Yuzen Kyokai association. |
| 身装概念 | EV170.1：［友禅染］ DQ005：［染色デザイン；染色図案；意匠］ CP04：［業界；業界団体；業界組織］ EV12：［和服柄；和服文様］ FV00：［呉服店；呉服商］ |
| 服装専門分類 | AQ0：［総記；布地］ |
| 資料タイプ | |
| 資料所在 | |
| 国会図書館請求番号 | |
| 日本十進分類 | |
| 版次 | |
| 備考 | |
| 言語 | |
| リンク | 国立情報学研究所 CiNii |